Category Archives: Museum Studies Fieldwork Seminar

Museum Studies Fieldwork Seminar (HART 316)

Instructors: Prof. Monique Scott & Prof. Sylvia Houghteling

Course Description:

This course provides students a forum in which to ground, frame and discuss their hands-on work in museums, galleries, archives or collections. Whether students have arranged an internship at a local institution or want to pursue one in the Bryn Mawr College Special Collections, this course provides a framework for these endeavors, coupling praxis with theory supported by readings from the discipline of Museum Studies. The course will culminate in a final poster presentation, an opportunity to reflect critically on the internship experience. Prior to taking the course, students will develop a Praxis Learning Plan through the Career and Civic Engagement Center. All students will share a set syllabus, common learning objectives and readings, but will also be able to tailor those objectives to the specific museum setting or Special Collections project in which they are involved.

Common Learning Objectives:

  1. To connect Museum Studies theory and practice
  2. To connect internships in museum, archives or galleries to your individual interests and career goals
  3. To gain knowledge about some of the fundamentals of Museum Studies—including the history of museums, the role of museum in society, current trends in museums, museum ethics and about the variety of museum professions

Amelia Stieglitz, Anthropology, BMC ‘22

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: Arch Street Project – Rutgers University – Camden

Field Supervisor: Kimberlee Moran

Praxis Poster:

Amelia Stieglit_ Final Poster

 

Further Context:

For my praxis course, Museum Studies Fieldwork Seminar, I had the opportunity to work with the Arch Street Project. The Arch Street Project started in late 2016/early 2017 after human remains started turning up at a construction site at 218 Arch Street in Philadelphia. The medical examiners office was contacted anonymously by a worker who was concerned about continuing work with the presence of human remains. It was determined that the remains were archaeological in nature, as opposed to modern forensic remains, belonging to a burial ground associated with the First Baptist Church of Philadelphia from 1702 to 1859.

Salvage excavations soon took place to recover the remains and to continue with construction. Coffins with remains in them were taken to TCNJ, where internal excavations took place. The commingled or fragmentary remains, many of which were harmed by construction equipment, went to Rutgers University – Camden under the supervision of Kimberlee Moran, a professor and forensic archaeologists.

Every week on Wednesday’s and Friday’s, I went to Camden to accession the remains. The process of accessioning includes entering necessary information into a data base. Information includes the particular bone type, its completeness, the sex, the age, the ancestry, and any pathologies. Lastly, as the remains will be reburied, a quality photo is needed. Accessioning all the remains in this population allows for researchers to access data quickly and easily.

Working with human remains comes with many ethical problems, because in many cases, consent was not given. It is, therefore, imperative that the utmost respect is taken when handling the remains. These ethical problems led me to think about many questions relating to how I can honor these people in my work and why it is important that they be studied in the first place.

 

 

Yi Ren, History Of Art, BMC ‘23

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: The San Francisco Asian Art Museum

Field Supervisor: Clothilde Schmidt O’Hare

Praxis Poster:

Yi Ren_Final Poster

 

Further Context:

Thank you for the great opportunity to participate in the Museum Fieldwork Seminar partnered with the San Francisco Asian Art Museum. The immersive internship in the Marketing and Communication team helped me get a clear vision on a career in museum institutions. At the beginning, I worked in the Museum database called DAMS to get information to write instagram stories about Exhibition Weaving Stories, which presents vibrant textiles from across Indonesia, the Philippines, and Malaysia revealing stories as varied as the region’s hundreds of weaving traditions and as universal as cloth. Later I moved to work on TikTok marketing research and presentation in which I collected thousands of real TikTok performance data, including the Rijksmuseum, Sacramento History Museum, Museum of Neon Art, the Metropolitan Museum, the Barnes Foundation etc.  and analyzed the data to find practical ways to make TikTok accounts successful. There are multiple essential elements for running TikTok which involve the content of videos, the length of videos, the funding or sponsorship and so on.  I learned to analyze and visualize  data and make qualitative reports on my research. The skill sets developed in the remote internship are valuable in real workplaces, and it’s very different from studying in classes. I hope to do more internships in the field next semester!

Sofia Mondragon, History Of Art, BMC ‘22

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: Bryn Mawr College Special Collections

Field Supervisor: Marianne Weldon

Praxis Poster:

Sofia Mondragon_Final Poster_Revised

 

Further Context and Supplementary Booklet:

The Museum Studies Fieldwork Seminar is a Bryn Mawr College PRAXIS class that is made up of an internship at a field site and a lecture class. The field site I worked at was Bryn Mawr College’s Special Collections where I conducted independent research on the MacGaffey Collection. The MacGaffey Collection was donated to Bryn Mawr College in January 2022 and is comprised of ethnographic photographs, 12 Congolese ceramics, and one article describing the
ceramics. The ceramics, which I was researching, are mostly water pitchers, were collected by
Wyatt MacGaffey (Professor of Emiratis, Haverford College) and Janet MacGaffey (Ph.D. 1981,
Bryn Mawr College) from 1965 to 1970. I cataloged, photographed, researched, and rehoused
the objects. My comparanda research has yielded important insight into the vessel shapes, secondary usage, and the engraved motifs.

Sofia Supplementary Booklet_compressed

 

Joy Kruse, Anthropology, BMC ‘23

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: Penn Museum

Field Supervisor: Katy Blanchard

Praxis Poster:

Joy Kruse_Final Poster

 

Further Context:

I spent this spring exploring the shelves of the Near Eastern Collections of the University of Pennsylvania Museum of Archaeology and Anthropology. Through the Museum Studies Fieldwork Seminar and under the mentorship of the collections’ Keeper, Katherine Blanchard, I worked to further develop my collections management skills and contribute to a large-scale project processing objects from the site of Beth Shean, Israel.

Julie Knoepfler, Anthropology, BMC ‘24

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: Penn Museum

Field Supervisor: Katy Blanchard

Praxis Poster:

Julie Knoepfler_Final Poster

 

Further Context:

For my internship at the Penn Museum, my primary task was to inventory, photograph, label, bag, and put away material from the archaeological site of Beth Shean. Along the way I also got to label and box cuneiform tablets, make boxes for the larger tablets, and put away and pull objects for researchers. Besides learning how to properly do all of my assigned tasks I also learned a lot from handling the objects. Katy was able to give me many insights into how ancient life in Beth Shean was like.

On this poster, I have broken down my favorite objects, that I’ve worked with, into categories to showcase the broad connections I’ve made between them. The first category is Water and Agriculture. One of the objects is a pipe to transport water, from Beth Shean. In class, I had previously learned about the complex irrigation systems implemented by various Western Asian empires/rulers. Being able to hold this object in my hands showcased to me the massive and extensive nature of this system of moving the flow of water. The second object, the strainer, was used for beer making. Katy informed me that reeds were used in Mesopotamia to drink beer, under the floating hops. However, reeds didn’t grow in the Levant, so strainers were used. It was interesting how the movement of water via a strainer was also being controlled, and was largely shaped by the environment and agriculture, but on a much smaller scale. The second section of the poster concerns writing. Holding ancient tablets in my hands that were potentially letters, legal documents, or accounting lists was fascinating. I was holding a piece of written history in my hands. As for the tile fragments from Rayy, in Iran, they contain Arabic writing. Katy informed me that it was likely for religious purposes. It was fascinating to contrast two entirely different languages and usages for language. However, both kinds of objects were ultimately created to communicate a narrative. The third poster section is Brick Impressions. These impressions emphasized to me how the identity of the person/animal who left this impression will likely never be known but they have still made both a literal and more symbolic impression which has been preserved. The last section of objects contains ceramic objects. I like to think of these objects as illustrating a kind of “life cycle” of a ceramic piece. The first object showcases how ceramics were made, with a stand used for baking each piece in a kiln. The second kind of object, the broken sherds containing holes, illustrate how an ancient person would’ve likely fixed a broken piece, using wire through the holes. These objects teach us both about the ceramic pieces’ original creation and what happens when they eventually break.

Finally, I highlight the trip that Katy took Joy and I on to New York City to visit The Met and ISAW on the poster. On the trip we learned about different museum careers and got to learn about both curation and renovation of galleries, in various contexts. It was also interesting how much the “everyday” was emphasized on the trip. At ISAW, along with wall paintings of great heroes like Hercules and Achilles, there were depictions of common people going about their lives. At the Met, along with statues of great rulers, such as Gudea, and reliefs and prominent statues from palaces, there were also various examples of everyday items. Ultimately, both my internship at the Penn Museum and trip to New York, has made me appreciate the more everyday objects I have been able to work with and learn from. Classes I have taken, in the past, were focused more on the big picture. We learned about kings, empires, and large-scale military conquest. We also studied the corresponding objects: reliefs and steles, palaces, and ziggurats. “Common” people, in the ancient world, were often not emphasized in the classes I’ve taken previously, yet at the museum their everyday objects were key to my learning experience.

Clara Chamorro, Anthropology, BMC ‘22

Museum Studies Fieldwork Seminar

Faculty Advisor: Sylvia Houghteling & Monique Scott

Field Site: Arch Street Project, Rutgers University-Camden

Field Supervisor: Kimberlee Moran

Praxis Poster:

Clara Chamorro_Final Praxis Poster

 

Further Context:

In the past few years there has been a reckoning in the museum field surrounding museum collections of human skeletal remains. Many of these collections were collected at a time when practices that we would consider highly unethical today were the norm. Although the Arch Street Project isn’t a permanent collection of human remains, working with Kim and the Arch Street Project’s human skeletal remains at Rutgers Camden has allowed me to start engaging with questions and understanding practices that are applicable to archaeological projects as well as museum collections. Through my work with the Arch Street Project, I have been able to learn about proper protocols for handling and storing human remains. One of the main things that it is important to remember in this work is that you are a custodian of these remains. Kim was legally entrusted with care of the remains until they are reburied in 2023 and as someone working in her lab I am also held to the same standards of care and respect for the personhood of these individuals.

Something I’ve learned that I wasn’t initially expecting to be how to communicate with everyday people about this kind of work. For most it isn’t immediately apparent what can be learned about the past or about someone from looking at human skeletal remains. Explaining the intricacies of this work  takes skill and I am really glad that I was able to start developing this skill through conversations with my classmates and other peers who I told about my internship.